20th Century Sculpture Collection
Green Gallery
Until September 1
The Hakone Open-Air Museum opened on August 1, 1969 as Japan’s first outdoor museum, with the aim of disseminating and promoting the art of sculpture.
From the time of its founding, the museum has also featured an indoor exhibition area attuned to the ever-changing mountain climate. This has enabled us to amass a collection of sculptures that can be exhibited indoors. Over the course of nearly half a century, and with the support of the Fujisankei Communications Group, we have built up a collection that provides a sweeping view of the history of 20th century sculpture.
In this exhibition we present some of the treasures of our modern sculpture collection, together with new acquisitions. We hope that visitors will take time to appreciate the intimate scale of these artworks and discover the innovative spirit of modernity.
Artist | Title | Date | Size(cm) | Materials | |
1 | Alberto Giacometti | Femme Mince sans Bras | 1958 | 60×8×20 | bronze |
2 | Barbara Hepworth | Four Figures Waiting | 1968 | 62×48×49 | bronze |
3 | Willem de Kooning | Cross-legged Figure | 1972 | 61×48×41 | bronze |
4 | Giorgio de Chirico | Ettore e Andromaca | 1940 | 40×23×16 | bronze |
5 | Julio González | Femme Assise Nº 3 | circa 1935-36 | 61×24×25 | bronze |
6 | Yves Klein | Portrait Relief (Martial Raysse)- PR2 | 1962 | 178×94×33 | dry blue pigment in synthetic resin on bronze, mounted on primed and gold-leafed board |
7 | Yves Klein | Blue Venus - S41 | 1962 | 70×28×20 | dry blue pigment in synthetic resin on plaster |
8 | Yves Klein | Portrait Relief (Claude Pascal) - PR3 | 1962 | 178×94×33 | dry blue pigment in synthetic resin on bronze, mounted on primed and gold-leafed board |
9 | Constantin Brancusi | The Kiss | 1908 | 27×25×16 | plaster |
10 | Amedeo Modigliani | Tête | circa 1911-12 | 72×22×29 | bronze |
11 | Alexander Archipenko | Standing Nude II | 1916 | 48×11×9.5 | bronze |
12 | Max Ernst | Head from Reliefs and Sculptures for the House in Sedona | 1948 | 21×14×5 | bronze |
13 | Jacques Lipchitz | The Meeting | 1913 | 81×57×37.5 | lead |
14 | Umberto Boccioni | Unique Forms of Continuity in Space | 1913 | 116×90×42 | bronze |
15 | Giacomo Balla | Ballerina del Bal Tic Tac : Danza Serpentina | 1920-22 | 51×25×8 | brass, chrome-plated |
16 | Giacomo Balla | Ballerina del Bal Tic Tac : Écarté | 1920-22 | 54.5×39×8 | brass, chrome-plated |
17 | Giacomo Balla | Ballerina del Bal Tic Tac : Duo | 1920-22 | 67×43×8 | brass, chrome-plated |
18 | Giacomo Balla | Ballerina del Bal Tic Tac : Pas de Deux | 1920-22 | 53×49×8 | brass, chrome-plated |
19 | Giacomo Balla | Ballerina del Bal Tic Tac : Danse du Feu | 1920-22 | 52×33×8 | brass, chrome-plated |
20 | Masamichi Yamamoto | Dream of Ancient Times | 1980 | 27×270×85 | bronze |
21 | Arnaldo Pomodoro | Asta Cielare II | 1978-80 | 262.5×58×50 | bronze |
22 | Robert Couturier | Idylle | 1965 | 93×36×28 | bronze |
23 | Shinkichi Tajiri | Overhand Knot No. 2 | 1971 | 42×82×65 | aluminium |
24 | Kyoko Asakura | Arisa | 2005 | 175x47x38 | bronze |
25 | Fumio Asakura | Stretch Out | 1947 | 41.5×20.5×40 | bronze |
26 | Fumio Asakura | Catch | 1946 | 51×52.5×29.5 | bronze |
27 | Fumio Asakura | A Snoozy Cat | 1914 | 16.5×55.5×18 | bronze |
28 | Fumio Asakura | Family | 1935 | 16×44.5×29 | bronze |
29 | Fumio Asakura | Sleep | 1945 | 13×37.5×35 | bronze |
30 | Yuzo Fujikawa | Mr. Bose | 1932 | 47×53×25 | bronze |
31 | Teijiro Nakahara | Young Caucasian | 1919 | 42×19×18 | bronze |
32 | Morie Ogiwara | Miner | 1907 | 46×45×31 | bronze |
33 | Cyuryo Sato | Straw Hat | 1975 | 52×40×34 | bronze |
34 | Yasutake Funakoshi | Hara Castle: Head of a Warrior (Work B) | 1964 | 31×32×30 | bronze |
35 | Seiko Sawada | Maiko (Dancing Girl) | 1974 | 50×34×42 | bronze |
36 | Alexander Calder | The Red Pennants : Hanging Mobile | 1970 | 101.5×178 | aluminium, paint |
*各展覧会ページの掲載内容は、すべて掲載時点の情報です。
*掲載中の情報については、予定であり、予告なく変更になる場合があります。
* All information, representations, links or other messages may be changed at any time without prior notice or explanation to the user.